Archive pour le mot-clef ‘retail’

The Monoprix line of products revamped

Friday 9 March 2012

Monoprix revamped last year the packaging of all products sold under its own brand (the acronym “MDD” is used in French – Marques De Distributeurs – to refer to distributors selling products under their own brand).

The least we can say is that Monoprix was very creative and broke with the rules of the industry. Packagings were used to be very simple (to depict probably their low-cost positioning) and boring. Not only did Monoprix innovate with colorful packagings but it also aligned all its packagings across categories (food, non-food) on the same Pop Art scheme.

Last but not least funny slogans were added to each product which will surely remind you of another award-winning brand, namely Michel & Augustin. The latter became popular among others for their refreshing perspective on marketing and their collaborative innovation methods on which we have already reported.

 

My take:

It had been long time since I visited Monoprix for the last time and I must admit their product lines are very coherent and, more important, their products are excellent. I also noticed that cash registers are built on the same principle as those at Whole Foods. Each cash register has a number and a speaker in the roof above clients call them to the next free cash out line.

The most beautiful ways to display products Part 5: Bottega Veneta

Monday 20 February 2012

Still in Rome, Italy, and still in the luxury sector (as if only this industry knew how to do), here is the example of Bottega Veneta, a brand that men fear for the damage it can cause to their bank accounts. Christmas decorations of the shop of Rome were very discreet and refined and the eyes of the tourists were drawn by white bags which, when approached, proved to actually be candles, perfect imitations of the traditional bags of the Italian brand.

 

My take:

Bottega Veneta is a “discrete luxury brand”. No price tags, no logo, it’s for connoisseurs only. Under those conditions it’s pretty difficult to innovate and to “make the buzz”. Even if the showcase was not “exceptional” (by Fendi standards for instance), it remains however that the marketers did a good job at innovating, catching the eye without compromising this image of discretion.

Will Abercrombie & Fitch’s European strategy be the beginning of the end?

Monday 30 January 2012

One amazing thing about Abercrombie and Fitch is that it creates almost black-market situations. Let me explain.

Until recently Abercrombie & Fitch was a US-based brand and you had to cross the ocean to visit a store and purchase from them. Wearing a Abercombie piece of cloth was therefore a sign that you went there and a way to differentiate yourself from the crowd. That’s why not only teenagers visit Abercombie in the US but also a lot of moms and dads who are there on behalf of their children.
This rarity has for consequence that strange situations can be witnessed; like the one I observed in Rome where I saw a store displaying merchandising and a few pieces of clothes for sale. As you can imagine it was not an “authorized dealer” in any way and I guess the owner made the trip to the US, bought some stuffs there and brought it back to Italy to sell it in his store.

 

This being said you may now realize that Abercombrie’s expansion strategy in Europe may end up  such situations but will push Abercombie in unknown territories. Think about it for one moment. It’s illusory to think that customers go to the stores only for the experience. Go in any US store and you’ll see a lot of tourists. Will those tourists still go there when the same stuffs can be found in Europe; probably not. And will teenagers, the end consumers of the products, still be interested in those products when they become available to anybody in Europe? That’s the big question mark.

Hublot makes use of latest technology to promote its products

Monday 23 January 2012

Hublot is the watch brand created by marketing genius Jean-Claude Biver. I stepped in the store of an authorized dealer the other day to witness how products were promoted in-store.

I remained amazed by one display in particular which triggered all senses. I’ve no idea how it works but it’s just amazing to see how this product was literally put into light and its mysticism enhanced.

 

My take:

I’m speechless.

Untitled from Into The Minds on Vimeo.

I was not equipped to do a better video but I promise I’ll go back and shoot a better one.

The most beautiful ways to display products. Part 4: Fendi

Monday 16 January 2012

You may remember, if you are a loyal reader, of our series on the most beautiful ways to display products in brick-and-mortar sales points. The last post on the subject regarded Lalique.

The Christmas time is a renewed opportunity to witness the creativity of marketers and this year the Fendi crew did a really amazing job in their flagship store of Rome.

Each showcase was actually a painting in itself. All objects were arranged in a very lively way which reminded me of some Dutch paintings by Vermeer for instance. Even the frame of the showcase was here to mimic the similarity with a painting.

Pictures are worth thousands of words. Allow me to stop my explanations here and discover by yourself the beauty of the products.

Paul bakeries: when service and brand image do not match

Wednesday 9 November 2011

Paul … an oasis of gastronomy in a culinary desert. Everything is made to remind you the long forgone past of tasteful products: sales point are covered with oak-like veneer, decorated with pieces of furniture that could fit in your grandmother’s interior. Even the door of the garbage room is painted in an artificially aged green lavish veneer. All those clichés work pretty well I must confess.

Paul is like a Starbucks. If you want to have an acceptable lunch (by airport standards for instance) you can be sure you’ll get it there.

So far so good. Parasuraman and Co. taught us that a good product is nothing without a good service and that it directly influences satisfaction. Until now you shouldn’t have learned a lot. Here starts my story. On October 10th, at around 1:30 pm I’m at Paul at the Charleroi airport (sorry, I should have written “at Brussels South airport” to comply with Ryanair’s terminology). A client next to me seems to wait for a long time on the warm dish she had ordered. Twenty minutes of patience later and after a not-so-friendly reminder to the cashier, her dish is finally served … but not warm enough. Nothing but usual you’ll say. It happens millions of times every single day. Until she calls the cashier to complain. The cashier arrives and asks what’s happening. She tells him that she’s unhappy because she had to wait 20 minutes for a dish that is not warm. The cashiers smiles and yells loudly at his colleagues: “an unhappy lady wants to talk a representative”.

Two employees came and while they were approaching I saw on their faces that they were not willing to apologize but rather to fight it out. A useless discussion followed where the two employees ignored the complaints of the client and rather defended themselves than showed empathy. The employees eventually shrug their shoulders and returned to their work, laughing at the client and without a word of excuse.

My take:

Bad service, bad complaint management (or absence of complaint management), a huge gap between the brand image and the image conveyed by the employees. Everything was wrong in this client’s experience (even the product that she eventually threw in the bin without eating it). I could stop here but you wouldn’t have learned anything because this situation happens millions times per day around the world. My take today will be to give you an insight on how to understand the two employees’ behavior. The well-known Mannheim (Germany) University Professor of Marketing Christian Homburg published in 2006 the firs research on this topic in the Journal of the Academy of Marketing Science. His paper was published in this very serious journal under the attractive title “See no evil, hear no evil, speak no evil: a study of defensive organizational behavior towards customer complaints”. Homburg introduces his concept of DOB (“Defensive Organizational Behavior”) and sees three explanations for employees’ resistance to accept and deal with complaints : 1) isolation which refers to keeping a psychological distance from unpleasant issues, 2) denial which refers to refusing to recognize threatening facts, and 3) projection which is the rejection to accept one’s own bad traits and faults.

Keep this in mind the next time you go to Paul.

The most beautiful ways to display products part 2: Van Cleef & Arpels

Monday 10 October 2011

When it comes to luxury, companies can go to great lengths to exhibit their products under the best light, especially before Christmas.

Have a look at Van Cleef & Arpels’ creativity. I was amazed to see their store in New-York last Christmas. I had never seen (even in Paris) such a creativity to create a universe and a story around their jewels.

Time to dream before the weekend.

This is what I call country-based branding

Friday 7 October 2011

Rather than looking for differentiation in the product itself, some brands rely on their country of origin to make sure they are appreciated.

Look at the example of Uniqlo, a Japanese casual wear design, manufacturer and retailer.

I’m not a clothing specialist and am unable to distinguish between different styles. What I saw in their stores were basically clothes similar to those I may have found at The Gap (which was actually a source of inspiration for Uniqlo when they crafted their distribution strategy).

But what was obvious in the store were the many references made to the brand’s country of origin. And if you were not literate enough to detect them you can count on Uniqlo to help you. The tags attached to the clothes claim actually what the main differentiation is.

My take:

Even an undifferentiated product can become differentiated if you surround it with enough cues evoking the differentiation you are looking for.